AALAAPI


Synopsis

Be silent so you can hear something beautiful.
[Aalaapi meaning in Inuktitut]

Created by the Collectif Aalaapi at Centre du Théâtre d’Aujourd’hui, inspired by an audio documentary by Magnéto.

Associate producer, La Messe Basse

Aalaapi | ᐋᓛᐱ is a hybrid project, combining the creations of both theater and radio. On stage, two women from Nunavik (Niap Saunders and Hannah Tooktoo), live their lives in front of our eyes; lives in which the radio is central and serves as a true guideline for their existence.

Through the radio, which sits as a centerpiece in their household and occupies a crucial place in Nordic communities, the sound of a documentary flows out for both us and them. We become immersed in the North through its soundscapes, its silences, and the voices of five young women from the Nunavik territory. Thus, the two women on stage listen as the documentary’s subjects speak about their very experience and will, at some point, even need to challenge them.

Audrey, Samantha, Louisa, Mélodie and Akinisie split their lives between the North and the South. Over an 8 month period, these young women have accepted to speak about their lives by means of a radio documentary; a piece sculpted through their own words and silences. Aalaapi | ᐋᓛᐱ is an echo of the North; of its past, but especially of its present, through the sensibilities of these five young friends.

Laurence Dauphinais and Marie-Laurence Rancourt gather a group of indigenous and non-indigenous artists for the creation of a singular multidisciplinary piece where the spectator finds himself as a foreigner traveling north of the 55th parallel. With their senses aroused, the viewers are positioned as voyeurs, witnessing the lives of two Inuit women, whose realities they know very little. They are invited to listen with patience to gain access to this foreign world.


Aalaapi | ᐋᓛᐱ reflects the desire of the collective to position the piece in contrast to the often-conveyed images of the North. To open a door to a universe freed from clichés and preconceived ideas. It’s the possibility of meeting, both within the team and with the public. It’s an invitation to listen, as a means to better see. It’s a communion through bread and sound.

Lenght - 1 h 45
Including the discussion


Links

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Credits

Produced by

Collectif Aalaapi


Original idea

Laurence Dauphinais + Marie-Laurence Rancourt


Directed by

Laurence Dauphinais

Radio documentary directed by

Magnéto –Marie-Laurence Rancourt + Daniel Capeille

Performed by

Nancy Saunders + Olivia Ikey


Assistant Director

Charlie Cohen


Set Design Assistant

Nancy Saunders


Translated by

Brett Donahue + Nicolas Pirti-Duplessis


Animation

Camille Monette-Dubeau


Tour Manager

Charlotte Ménard+ Sandy Caron


Sound and video on tour

Joel Lavoie


Technical Director and Lighting Manager on tour

Romane Bocquet


Sound and video on tour

Fabien Locas

Stage Manager

Jasmine Kamruzzaman


Performed by

Angel Annanack + Nancy Saunders


Set Design

Odile Gamache


Set Design assistance

Nancy Saunders


Lighting Design

Chantal Labonté


Music

Antonin Wyss


Sound and Video on tour

Joël Lavoie

Video

Guillaume Vallée


Other members of the collective

Audrey Alasuak + Mélodie Duplessis + Caroline Jutras Boisclair + Samantha Leclerc + Louisa Naluiyuk + Akinisie Novalinga

Production and touring

La Messe Basse


Created in association with

Magneto


With the support of

Nouveau Chapitre


Creative residencies

Quai 5160, maison de la culture de Verdun + Ateliers de LA SERRE – arts vivants + Conseil des arts de Montréal


Critiques

I was moved to tears. They had an extraordinary idea.

[Johanne Despins, Culture Club, ici radio-canada]

From this clever blend of voices and sounds, words and silences, ideas and confessions, laurence dauphinais has imagined a singular piece of theater, an object of beauty and sustain.

[Christian Saint-pierre, Le Devoir]

A very sensory, very ingenious multidisciplinary work. I really, really liked it.

[Marc Cassivi/Rebecca Makonnen, Esprit Critique, Artv]

It is great to see the Quebec (theater) scene opening up to today’s Quebec, in all its diversity; and even more so when it’s done so beautifully.

[Daphné Batalon, Montheatre.ca]


Photos

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